Through the juxtaposition of digital renders and the photograph of the hand-made models that copies the look of digital renders, my research questions the real and the unreal, the authenticity in both digital and analogue imagery making.

From over textured flashy 3D rendering, to almost monotonously real-life photographed hand-made shapes, the outcome is a series of  images  that witness the strip down of the colour, texture, lightings and the noise in the image making process. 

the

Camberwell College of Art Graphic Design 'Research  Practice' project. 2019

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